The Changing Modes and Manifestations of Ruination
Nostalgia for Classical Decay
Keywords:
Ruins, Ruination, Heritage, Sustainability, NostalgiaAbstract
In this paper, I focus on the changing modes, forms, and manifestations of ruination. In classical cases, it was Nature ruining the artificial, i.e., human artifacts, like constructions. In our contemporary reality, however, we can see more and more warning signs that this “natural” and “classical” ruination is itself challenged and changing: what we have now could instead be described as the ruination of Nature by the artificial. While earlier we paid attention to a relic caused by the agency of Nature, now we will have to pay attention to the relic of Nature’s agency itself.
References
Albrecht, Glenn (2019), Earth Emotions. New Words for a New World. Cornell University Press: Ithaca – London.
Broggini, Oliver (2009), Le rovine del Novecento: Rifiuti, rottami, ruderi e altre eredità, Diabasis: Reggio Emilia.
Clemente, Matteo and Luca Salvati (2017), ‘“Interrupted” Landscapes: Post-Earthquake Reconstructions in between Urban Renewal and Social Identity of Local Communities’, Sustainability, 9, pp. 1–13.
Clingerman, Forrest (2011), ‘Environmental Amnesia or the Memory of Place? The Need for Local Ethics of Memory in a Philosophical Theology of Place’, [in:], C. Deane-Drummond and H. Bedford-Strohm (eds.), Religion and Ecology in the Public Sphere, T & T Clark: New York, pp. 141–159.
DeSilvey, Caitlin (2017), Curated Decay. Heritage Beyond Saving, University of Minnesota Press: Minnesota – London.
Dillon, Brian (2014), Ruin Lust: Artists’ Fascination with Ruins, from Turner to the Present Day, Tate Publishing: London.
Ginsberg, Rober (1988), ‘Aesthetics Qualities in the Experience of Ruins’, [in:], M. H. Mitias (ed.), Aesthetic Quality and Aesthetic Experience, Rodopi: Amsterdam, pp. 165–176.
Ginsberg, Robert (2004), The Aesthetics of Ruins, Rodopi: Amsterdam.
Giombini, Lisa (2020), ‘Reconstructing Heritage: Places, Values, Attachment’, Contemporary Aesthetics, 18, [online]
Giombini, Lisa (2021), ‘Respect in Conservation Ethics: A Philosophical Inquiry’, Studies in Conservation, 67 (2022 – first published online in 2021), pp. 100–108.
Hill, Jonathan (2019), The Architecture of Ruins: Designs on the Past, Present, and Future, Routledge: London, 2019.
https://contempaesthetics.org/2020/11/16/reconstructing-heritage-places-values-attachment/ [accessed 18 Aug 2023].
https://www.theartnewspaper.com/2022/03/17/rising-sea-levels-imperil-french-church-that-inspired-the-impressionists-including-monet [accessed 18 Aug 2023].
Lamarque, Peter (2016), ‘Reflections on the Ethics and Aesthetics of Restoration and Conservation’, British Journal of Aesthetics, 56 (3), pp. 281–99.
Makarius, Michel (2004), Ruins, Flammarion: Paris.
Matthes, Erich Hatala (2020), ‘Environmental Heritage and the Ruins of the Future’, [in:], J. Bicknell, J. Judkins and C. Korsmeyer (eds.), Philosophical Perspectives on Ruins, Monuments and Memorials, Routledge: New York, London, pp. 175–186.
Shapshay, Sandra (2022), ‘The Environmental Presence of Ruins: On Zoltán Somhegyi’s Reviewing the Past: The Presence of Ruins’, Philosophia. A Global Journal of Philosophy, 50 (4), pp. 1537–1551.
Simmel, Georg (1959), ‘The Ruin’, trans. D. Kettler, [in:], K. H. Wolff (ed.), Georg Simmel 1858– 1918: A Collection of Essays with Translations and Bibliography, Ohio State University Press: Columbus, pp. 259–266.
Somhegyi, Zoltán (2020), Reviewing the Past. The Presence of Ruins, Rowman & Littlefield International: London, New York.
Somhegyi, Zoltán (2021), ‘From Mistaking Fakeness to Mistake in Fakeness. Artificial Ruins Between Aesthetics and Deception’, Studi di estetica, 49 (1), pp. 59–74.
Somhegyi, Zoltán (2022), ‘Moving Architecture. Aesthetics Around the Changing Context and Status of Constructions’, The Nordic Journal of Aesthetics, 63, pp. 84–105.
Somhegyi, Zoltán (2023), ‘From Ruins to the Ruins of Ruins. The Challenging Afterlife of Architectural Dereliction’, [in:], J. O. Habeck and F. Schmitz (eds.), Ruinen und Vergessene Orte. Materialität im Verfall – Nachnutzungen – Umdeutungen, Transcript Verlag: Bielefeld, pp. 45–55.
Trigg, Dylan (2006), The Aesthetics of Decay: Nothingness, Nostalgia, and the Absence of Reason, Peter Lang: New York.
Varengeville-sur-Mer, website [online] https://www.varengeville-sur-mer.fr/gb-eglise-st-valery/ [accessed 18 Aug 2023].
Waser, Georges (2022), ‘Rising sea levels imperil French church that inspired the Impressionists, including Monet’, [online] The Art Newspaper, 17 Mar 2022,
Zucker, Paul (1961), ‘Ruins: An Aesthetic Hybrid’, Journal of Aesthetics and Art Criticism, 20 (2), pp. 119–130.
Downloads
Published
Issue
Section
License
Copyright (c) 2024 The Polish Journal of Aesthetics

This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.