The Idea of Landscape in Galician Culture as an Example of Linguistic Diglossia between Galician and Spanish
DOI:
https://doi.org/10.19205/72-73.24.2Keywords:
Landscape, Language, Minoritized Culture, RepresentationAbstract
The idea of landscape in Galicia, a stateless nation in northwestern Spain, has historically been intertwined with the construction of its cultural and communal identity. However, this process has also been shaped by a regionalist discourse originating from the Spanish center, which instrumentalizes the Galician landscape as an ornamental feature of the state. In this discourse, Galicia's landscape is valued not for its agricultural productivity but for the exoticism of its forms. This paper explores the tensions that emerge at the intersection of these two perspectives on the Galician landscape.
References
Eliasson, Olafur. (2012) Leer es devenir, es respirar. Naucalpan, México: Editorial Gustavo Gili S.L.
Gómez, Lupe. (1999) Pornografía. Edicións Positivas. Vigo
Gómez, Lupe. (2017) Camuflaxe. Chan da pólvora. Santiago de Compostela.
Hall, Stuart. (1997) Representation: Cultural representation and signifying practices. (Culture, Media and Identities Series). Sage publication Ltd. London.
Lamela, Brais. (2022). Ninguén queda. Eusino editorial. Vigo.
Massey, Doreen. (2009) Pelo espaço, uma nova política da espacialidade. Rio de Janeiro: Editora Bertrand Brasil Ltda. Río de Janeiro.
Mendizábal, Asier. (2007) Smaller than a mass. Ediciones CO-OP. San Sebastián.
Miguélez-Carballeira, Helena. (2015) Galiza, um pobo sentimental? Através editora. Fundación AGAL. Santiago de Compostela
Novo, Olga. (2005) Uxio Novoneyra: Lingua Loaira. Fundación Caixa Galicia. Vigo.
Otero Pedrayo, Ramón. (1982) Ensaio Histórico sobre a cultura galega. Vigo: Editorial Galaxia.
Pagán, Alberte. (2012) Apontamentos sobre cinema galego. Vickingland, película perfecta. Follas do cineclube de Compostela. Santiago de Compostela.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 The Polish Journal of Aesthetics

This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.